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E♭ Blues Scale (E♭ G♭ A♭ A B♭ D♭)

E♭ blues is E♭ G♭ A♭ A B♭ D♭. The blue note comes out spelled plain A, the only natural in a scale of flats. Half-step-down bands play it as E blues fingerings.

Fretboard diagram

root the ♭5, the blue note left of the nut, open strings
E♭ blues scale fretboard diagram, open strings to fret 22eBGDAE12345678910111213141516171819202122G♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRD♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5G♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7E♭RRG♭♭3♭3A♭44A♭5♭5B♭55D♭♭7♭7

Every E♭ blues note from the open strings to fret 22. At fret 12 the map starts over an octave up.

Notes in this scale

SymbolIntervalNote
RrootE♭
♭3minor thirdG♭
4perfect fourthA♭
♭5flatted fifthA
5perfect fifthB♭
♭7minor seventhD♭

Where to land

A lead that never touches its root is an exercise. In the first twelve frets E♭ sits on the low E string at fret 11, the A string at fret 6, the D string at fret 1, the G string at fret 8, the B string at fret 4, and the high E string at fret 11. End phrases on one of them until it's automatic, then start aiming for whichever chord tone the band is sitting on instead.

The A is the exception to every landing rule. Bend into it, slide through it, resolve it to the B♭ a half step up or keep falling to the fourth. Treat it as a note you visit, and keep ending phrases on E♭, the way every blues record you own already does.

E♭ blues FAQ

What notes are in the E♭ blues scale?
E♭ blues contains E♭, G♭, A♭, A, B♭, and D♭. That's the root, the minor third, the perfect fourth, the flatted fifth, the perfect fifth, and the minor seventh.

What fret does E♭ blues start on?
The lowest root is E♭ at fret 11 on the low E string, and most players anchor there. The scale itself covers the whole neck, and everything repeats twelve frets higher.

What is the blue note in the E♭ blues scale?
A, the flatted fifth. It sits one fret below the perfect fifth and one above the fourth. It works as a passing note, bent into or slid through, and resolves cleanly to either neighbor.