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F♯ Blues Scale (F♯ A B C C♯ E)

F♯ blues is F♯ A B C C♯ E, low on the neck, where releases can fall onto open strings. That's most of why blues in F♯ feels greasier than blues in G.

Fretboard diagram

root the ♭5, the blue note left of the nut, open strings
F♯ blues scale fretboard diagram, open strings to fret 22eBGDAE12345678910111213141516171819202122E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55A♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRE♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5A♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55E♭7♭7F♯RRA♭3♭3B44C♭5♭5C♯55

Every F♯ blues note from the open strings to fret 22. At fret 12 the map starts over an octave up.

Notes in this scale

SymbolIntervalNote
RrootF♯
♭3minor thirdA
4perfect fourthB
♭5flatted fifthC
5perfect fifthC♯
♭7minor seventhE

Where to land

A lead that never touches its root is an exercise. In the first twelve frets F♯ sits on the low E string at fret 2, the A string at fret 9, the D string at fret 4, the G string at fret 11, the B string at fret 7, and the high E string at fret 2. End phrases on one of them until it's automatic, then start aiming for whichever chord tone the band is sitting on instead.

The C is the exception to every landing rule. Bend into it, slide through it, resolve it to the C♯ a half step up or keep falling to the fourth. Treat it as a note you visit, and keep ending phrases on F♯, the way every blues record you own already does.

F♯ blues FAQ

What notes are in the F♯ blues scale?
F♯ blues contains F♯, A, B, C, C♯, and E. That's the root, the minor third, the perfect fourth, the flatted fifth, the perfect fifth, and the minor seventh.

What fret does F♯ blues start on?
The lowest root is F♯ at fret 2 on the low E string, and most players anchor there. The scale itself covers the whole neck, and everything repeats twelve frets higher.

What is the blue note in the F♯ blues scale?
C, the flatted fifth. It sits one fret below the perfect fifth and one above the fourth. It works as a passing note, bent into or slid through, and resolves cleanly to either neighbor.