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F Blues Scale (F A♭ B♭ B C E♭)

F blues is F A♭ B♭ B C E♭, the low root at the first fret. The blue note lands on plain B. Jump blues bands write in F for the horns and the guitar keeps up.

Fretboard diagram

root the ♭5, the blue note left of the nut, open strings
F blues scale fretboard diagram, open strings to fret 22eBGDAE12345678910111213141516171819202122FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRE♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55A♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRB♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3FRRA♭♭3♭3B♭44B♭5♭5C55E♭♭7♭7FRRA♭♭3♭3B♭44B♭5♭5C55

Every F blues note from the open strings to fret 22. At fret 12 the map starts over an octave up.

Notes in this scale

SymbolIntervalNote
RrootF
♭3minor thirdA♭
4perfect fourthB♭
♭5flatted fifthB
5perfect fifthC
♭7minor seventhE♭

Where to land

A lead that never touches its root is an exercise. In the first twelve frets F sits on the low E string at fret 1, the A string at fret 8, the D string at fret 3, the G string at fret 10, the B string at fret 6, and the high E string at fret 1. End phrases on one of them until it's automatic, then start aiming for whichever chord tone the band is sitting on instead.

The B is the exception to every landing rule. Bend into it, slide through it, resolve it to the C a half step up or keep falling to the fourth. Treat it as a note you visit, and keep ending phrases on F, the way every blues record you own already does.

F blues FAQ

What notes are in the F blues scale?
F blues contains F, A♭, B♭, B, C, and E♭. That's the root, the minor third, the perfect fourth, the flatted fifth, the perfect fifth, and the minor seventh.

What fret does F blues start on?
The lowest root is F at fret 1 on the low E string, and most players anchor there. The scale itself covers the whole neck, and everything repeats twelve frets higher.

What is the blue note in the F blues scale?
B, the flatted fifth. It sits one fret below the perfect fifth and one above the fourth. It works as a passing note, bent into or slid through, and resolves cleanly to either neighbor.