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G♯ Blues Scale (G♯ B C♯ D D♯ F♯)

G♯ blues is G♯ B C♯ D D♯ F♯, the blue note landing on plain D. B-family rock borrows it when things need grit.

Fretboard diagram

root the ♭5, the blue note left of the nut, open strings
G♯ blues scale fretboard diagram, open strings to fret 22eBGDAE12345678910111213141516171819202122F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5B♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55B♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRF♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5D♯55F♯♭7♭7G♯RRB♭3♭3C♯44D♭5♭5

Every G♯ blues note from the open strings to fret 22. At fret 12 the map starts over an octave up.

Notes in this scale

SymbolIntervalNote
RrootG♯
♭3minor thirdB
4perfect fourthC♯
♭5flatted fifthD
5perfect fifthD♯
♭7minor seventhF♯

Where to land

A lead that never touches its root is an exercise. In the first twelve frets G♯ sits on the low E string at fret 4, the A string at fret 11, the D string at fret 6, the G string at fret 1, the B string at fret 9, and the high E string at fret 4. End phrases on one of them until it's automatic, then start aiming for whichever chord tone the band is sitting on instead.

The D is the exception to every landing rule. Bend into it, slide through it, resolve it to the D♯ a half step up or keep falling to the fourth. Treat it as a note you visit, and keep ending phrases on G♯, the way every blues record you own already does.

G♯ blues FAQ

What notes are in the G♯ blues scale?
G♯ blues contains G♯, B, C♯, D, D♯, and F♯. That's the root, the minor third, the perfect fourth, the flatted fifth, the perfect fifth, and the minor seventh.

What fret does G♯ blues start on?
The lowest root is G♯ at fret 4 on the low E string, and most players anchor there. The scale itself covers the whole neck, and everything repeats twelve frets higher.

What is the blue note in the G♯ blues scale?
D, the flatted fifth. It sits one fret below the perfect fifth and one above the fourth. It works as a passing note, bent into or slid through, and resolves cleanly to either neighbor.